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Ana Castillo's Fiction

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... "construction" irrelevant to both fictional and non-fictional status, by doing so he can claim that non-fiction account certain distinction between a fiction and a non-fiction, when a viewer is watching a fiction he knows that this is a Ana Castillo, in So Far From God (1993), presents a Catholic perspective that does not lose sight of the indigenous "construction" irrelevant to both fictional and non-fictional status, by doing so he can claim that non-fiction account certain distinction between a fiction and a non-fiction, when a viewer is watching a fiction he knows that this is a ...



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Sources list for ANA CASTILLO'S FICTION:

Blaine, Davies. "Historical Fiction - How Much Truth, How Much Fiction." Historical Fiction and Idaho U.S. History Curriculum. Internet, 1/17/2004. http://education.boisestate.e du/bdavies/truth-fiction.htm. Blaine, Davies. "Historical Fiction - How Much Truth, How Much Fiction." Historical Fiction and Idaho U.S. History Curriculum. Internet, 1/17/2004. http://education.boisestate.e du/bdavies/truth-fiction.htm.
“The Playmaker” by Thomas Keneally

Castillo, Ana. Peel My Love Like an Onion. New York: Doubleday, 1999.
“Peel My Love Like an Onion”

Castillo, Ana. So Far From God. Northhampton, MA: Interlink, 1994.
“So Far From God”

Castillo, Ana. Massacre of the Dreamers. University of Mexico Press, 1995.
Sandra Cisneros

Gillis, Christina. "Where Are You Going, Where Have You Been?": Seduction, Space, and a Fictional Mode." Studies in Short Fiction, 1981.18.1. Ebsco Resource Database. Site Accessed May 07, 2005. <http://www.searchepnet.com>
"Where Are You Going, Where Have You Been?”

 

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